詳細書目資料

18
0
0
0

Dance, space, and subjectivity / Valerie Briginshaw

  • 作者： Briginshaw, Valerie A
  • 其他作者：
  • 出版： New York : Palgrave 2001
  • 主題： Dance--Reviews , Postmodernism.
  • ISBN： 9780230272354 、 0230272355
  • URL： access to fulltext (Palgrave)
  • 書目註：The roles dance and space play in constructing subjectivity are explored here in close readings of American, British and European contemporary dances. Informed by ideas from contemporary critical theories, the book (now available in paperback) investigates site-specific dance, the mutual construction of bodies and spaces, body-space interfaces and 'in-between spaces'. Alternative subjectivities are suggested by reading the dances and dance films against the grain to reveal their potential for troubling conventional notions of subjectivity associated witha white, Western, heterosexual, able-bodied, male norm. The works of choreographers such as Lea Anderson, Pina Bausch, Trisha Brown, Anne Teresa De Keersmaeker, William Forsythe, Shobana Jeyasingh and Mark Morrisare explored alongside the theories of writers such as Mikhail Bakhtin, Gilles Deleuze, Michel Foucault, Donna Haraway, Julia Kristeva and Henri Lefebvre. The result is a fascinating mix of ideas and practice never before placed together within the context of dance studies Includes bibliographical references (p. 213-221) and index
  • 讀者標籤：
    需登入
  • 引用連結：
  • 系統號： 005162864 | 機讀編目格式

館藏資訊

內容註

PART I: CONSTRUCTIONS OF SPACE AND SUBJECTIVITY -- Travel Metaphors in Dance: Gendered Constructions of Travel, Spaces and Subjects -- Transforming City Spaces and Subjects -- Coastal Constructions in Lea Anderson's Out on the Windy Beach -- PART II: DANCING IN THE 'IN-BETWEEN SPACES' -- Desire Spatialized Differently in Dances that can be Read as Lesbian -- Hybridity and Nomadic Subjectivity in Shobana Jeyasingh's Duets with Automobiles -- Crossing the (Black) Atlantic: Spatial and Temporal Displacements in Meredith Monk's Ellis Island and Jonzi Di's Aeroplane Man -- PART III: INSIDE/OUTSIDE BODIES AND SPACES -- Fleshy Corporealities in Trisha Brown's If You Couldn't See Me, Lea Anderson's Joan and Yolande Snaith's Blind Faith -- Carnivalesque Subversions in Liz Aggiss's Grotesque Dancer, Mark Morris's Dogtown and Emilyn Claid's Across Your Heart -- Architectural Spaces in the Choreography of William Forsythe and De Keersmaeker's Rosas Danst Rosas

延伸查詢 Google Books Amazon
回到最上