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Romantic misfits / Robert Miles
- 作者: Miles, Robert 1953-
- 其他作者:
- 出版: Houndmills, Basingstoke, Hampshire ;New York, N.Y. : Palgrave Macmillian 2008
- 叢書名: Palgrave studies in the Enlightenment, romanticism and cultures of print
- 主題: English literature--18th century--History and criticism , English literature--19th century--History and criticism , Romanticism--Great Britain. , Books and reading--Great Britain--History--18th century , Books and reading--Great Britain--History--19th century , Literature and society--Great Britain--History--18th century , Literature and society--Great Britain--History--19th century , Canon (Literature) , Great Britain--Intellectual life
- ISBN: 9780230582279 、 0230582273
- URL:
access to fulltext (Palgrave)
- 一般註:Includes bibliographical references (p. 222-237) index
- 書目註:Perhaps the most significant event of the Romantic period was the explosion in print media. In an age of personality, writers strove for attention by dramatising their status as a 'neglected genius', someone who wrote, not for the mass-market or for profit, but for the discerning few. 'Romantic misfit' is the common term for this modern identity. However, where all Romantics are misfits, some misfits did not fit. Romantic Misfits probes the modern institutionalisation of Literature by examining this process of inclusion and exclusion as it happened among first generation Romantics, where the tension between the late Enlightenment and its Romantic 'counter' was at its most acute. A recurring theme of Romantic Misfits is that Romanticism was institutionalised among the ruins of the public sphere, and that civic engagement was a casualty ofthe transcendental aesthetics that arose to buttress a new, exclusive conception of Literature Includes bibliographical references (p. 222-237) and index
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讀者標籤:
- 系統號: 005170566 | 機讀編目格式
館藏資訊
This book explores the false starts and disturbances of Romantic writing in Britain - 'misfits' and misfittings - as both a constitutive challenge to canonical romanticism and a distinctive literary field worth examining on its own account. Misfits include the Shakespeare forger W.H. Ireland, the novel itself, and the culture of Dissent.
內容註
Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --
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