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National theatres in a changing Europe / edited by S.E. Wilmer

  • 其他作者:
  • 出版: Basingstoke [England] ;New York : Palgrave Macmillan 2008
  • 叢書名: Studies in international performance
  • 主題: Theater--Europe--History , Toneel , Toneelgezelschappen , Nationaal bewustzijn , Europa (geografie)
  • ISBN: 9780230582910 、 0230582915
  • URL: access to fulltext (Palgrave)
  • 一般註:"This book developed from a symposium on national theatres of Europeat Trinity College Dublinin March 2005. Many of the chapters for the book were first presented in an earlier form at that meeting. Some of the articles, however, were commissioned subsequently"--P. xi
  • 書目註:This new collection of essays addresses the historic and contemporary roles of National Theatres in Europe (such as those in London, Paris,Helsinki and Moscow) and the changing artistic, social, political and economic circumstances that have created a crisis for their position ascultural flagships today. Leading international theatre scholars including Marvin Carlson, Laurence Senelick, Loren Kruger, Willmar Sauter, Bruce McConachie and Thomas Irmer examine National Theatres throughout Europe, analyzing their structures and roles in society, and illuminating the problems that they are currently facing. Edgaras Klivis, Barbara Susec Michieli and Kalina Stefanova provide surprising perspectives on Baltic, Balkan and Eastern European countries, in the aftermath of recent political and cultural transitions. Dragan Klaic, from Serbia and the Netherlands, proposes a novel approach to National Theatre repertories, and Michael Coveney and Janelle Reinelt reflect on the practices of the National Theatre of London and on the implications of the newly created National Theatre of Scotland Includes bibliographical references (p. 239-244) and index
  • 讀者標籤:
  • 引用連結:
  • 系統號: 005170587 | 機讀編目格式

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內容註

Author Preface -- Series Preface -- Notes on Contributors -- Introduction; S.E.Wilmer -- PART1: BACKGROUND AND OVERVIEW -- The Developmentof National Theatres in Europe in the Eighteenth and Nineteenth Centuries; S.E.Wilmer -- National Theatres: Then and Now; M.Carlson -- The National Stage and the Naturalized House: (Trans)National Legitimation inModern Europe; L.Kruger -- Towards a History of National Theatres in Europe; B.McConachie -- PART 2: FORMATION, FUNCTION, LANGUAGE ISSUES ANDIDEOLOGICAL CONTROL -- A Window to the West: Russian Imperial Theatres; J.Listengarten -- The Abbey Opens: A First Night Revisited; B.Levitas-- The Development of Norway's National Theatres; K.Shepherd-Barr -- Justification as National Throughout Changing Times: The National Theatre of Finland; P.Koski -- Creating and Dismantling the National Theatre in Divided Belgium; F.Peeters -- National on Compulsion: The Moscow ArtTheatre; L.Senelick -- Italy: The Fancy of a National Theatre?; P.Gaborik -- PART 3: NEW FUNCTIONS AND STRUCTURES IN A CHANGING EUROPE -- Proliferation and Differentiation of National Theatres in France; D.Whitton -- A National Theatre Decentralized: Sweden's Three and a Half National Theatres; R.Hoogland & W.Sauter -- Aspects of National Theatres in Germany after 1945; T.Irmer -- The National Theatre and Civic Responsibility in the British Isles; M.Coveney -- Bulgarian National Theatre "Ivan Vazov": Traditionally Non-Traditional; K.Stefanova -- The Disappearing Balkans:National Theatres and Geopolitics; B.Susec-Michieli -- Inadequate Subsidy and a Market Economy in theBaltic Countries; E.Klivis --PART 4: CHALLENGES FOR THE TWENTY-FIRST CENTURY -- National TheatresUndermined by the Withering of the Nation State; D.Klaic -- The Role of National Theatres in an Ageof Globalization; J.Reinelt -- Select Bibliography -- Index --

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