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Citation, intertextuality and memory in the Middle Ages and Renaissance. Vol. 1, Text, music and image from Machaut to Ariosto / edited by Yolanda Plumley, Giuliano Di Bacco and Stefano Jossa

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From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits In so doing they also manipulated the memory of their readers. Bringing together contributions from an international group of scholars, this volume represents a multidisciplinary approach to the themes of citation and intertextual play. It is also an exploration of the role of memory in the cultural production of the late Middle Ages and early Renaissance. The essays investigate work by renowned authors, composers and artists--as well as less familiar sources--principally from France, England and Italy.--Dust jacket

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