The end of cinema? [electronic resource] : a medium in crisis in the digital age / Andre?
- 作者： Gaudreault, Andre?
- 其他作者：
- 其他題名：
- Film and culture
- 出版： New York : Columbia University Press [2015]
- 叢書名： Film and culture
- 主題： Motion pictures--Philosophy. , Motion pictures--Technological innovations , Motion pictures--Social aspects , Digital media.
- ISBN： 9780231539388 (ebook)
- URL：
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- 一般註：Adapted from La fin du cinema: Un media en crise a lere du numerique ... Armand Colin, Paris, 2013, first edition.--Title page verso
- 書目註：Includes bibliographical references (pages 221-232) and index
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讀者標籤：
- 系統號： 005237077 | 機讀編目格式
館藏資訊
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
內容註
Introduction: The end of cinema? Cinema is not what it used to be Digitalizing cinema from top to bottom A brief phenomenology o 'digitalized' cinema From shooting to filming: the Aufhebung effect medium is always born twice New variants of the moving image 'Animage and the new visual culture Conclusion: A medium in crisis in the digita age